The INKA's belief about "ENERGIES" consisted in the belief of TWO NATURAL, COMPLEMENTARY and CONTRADICTORY FORCES in the UNIVERSE. Both of the forces, they believed, were different, but in the best way, they mutually complement each other. They were constantly moving and influence each other. They were dynamic in equilibrium. As one of them declined, the other opposing force, increased to an equal degree.
When they were in harmony with the universe then they were channeling the UNIVERSE 'S LIFE FORCE that they named "Kawsay." They believed that this "ENERGY" was the greatest one that animated the universe.
The HIGH FREQUENCY ENERGY that came from BEING in HARMONY with the universe, was named "SAMI." In order to receive the high frequency energy (SAMI), you were suppose to GIVE IT to OTHER PEOPLE, PLACES, OBJETS, etc. If your RELATIONSHIP were in BALANCE (marrying with the force) then the individual was able to BE INFUSED with the HIGH FREQUENCY ENERGY(SAMI).
The CONTRADICTORY ENERGY that played its role was named "HUCHA." It was defined as "HEAVY," "DENSE," "DARK ENERGY." In their common use in everyday life was identified as "guilt," "fault," "sin," "crime."
They understood that this LINE of LIVING ENERGIES in the universe were REFLECTED ON EARTH, and they were identified through a number of symbols and marked in a way that they saw the projection of these line of living energies running through the earth, or between two ritual sites named "CEKE." This sacred energy line connected places, people and things.
The "HEART" of the individual was the SEAT of AFFECTION and MOTIVATION. They believed that the "heart" was the MOTIVATOR of the MIND and course of action is illustrated in the manner that they made the preparation and offerings to the principal ENERGY of the whole UNIVERSE.
Everyone "HEARTS" were unified as a "COLLECTIVE ENERGY" from earth that as a form of skill and labor, impelled and incited the whole population to be UNIFIED as ONE and at the same time a COLLECTIVE FORCE strong enough to surpass any barrier that interfered with it and FOCUSING
on WHAT THE HEART of the EMPIRE really WAS before the EYES OF THE SUPERIOR FORCE. In other words the LANGUAGE of the HEART was treated as "the SECRET SOUL of the HEART." The heart was considered separated and distinct from the "mind," associated with the brain,
allowed for close interrelation, interplay and interdependency between them. The mind was the one to gather information and knowledge making it a center of information. It processed and reasoned any kind of information, however the HEART greatly affected the INDIVIDUAL's ACTIONS. The heart of the individual was the one who processed the living energy coming from the high frequency source and acted, making the INKA receive plans and guided thinking to pursuit in HARMONY the UNITY of the EMPIRE with the UNIVERSE.
Tuesday, May 28, 2013
Sunday, May 26, 2013
The GATEWAY of ARAMU MURU.
ARAMU MURU was a legendary MASTER TEACHER who brought the GOLDEN DISK from the ancient continent of LEMURIA to the ANDES in order to CONNECT the PEOPLE to the DIVINE
CENTRAL SUN (HATUN INTI).
According to legend, a GOLDEN DISK that HELD the RECORD of many ANCIENT civilizations
was BROUGHT from LEMURIA by ARAMU MURU.
The records covered many things and laid down the patterns of life for the whole Empire. There were records about creation of sacred places, land, people, animals and plants, law and customs. It was a complex network of KNOWLEDGE, FAITH, and PRACTICES. The records informed all spiritual and physical aspects of cosmic and earthly life.
ARAMU MURU taught that every person essentially exists eternally in the invisible world. This eternal part existed before the life of the individual begins, and continues to exist when the life of the individual ends. Both before and after life, this SPIRIT-CHILD exists in the invisible world and is only initiated into life by being born through a mother.
Upon birth, the child was considered to be a special custodian of that part of his land and was taught the songs or lyrics (certain vibrations) pertaining to that place.
Before humans, animals, and plants came into being, their "SOULS" existed; they knew they would become physical, but not when. The SPIRITUAL PURPOSE of that specific soul was AGREED upon before the incarnation into this REALITY (materialization). The soul contract (guided plan for the individual's life) was in the DIVINE; the soul co-created the contract with divine guidance and it included many individual agreements (subcontracts) to meet and work with certain people, in certain places, at certain times. The earthly commitments, tasks assigned, lessons agreed to learn in this incarnation were established in order to fulfill to DIVINE potentiality.
The GOLDEN DISK was kept at TIAWANAKU, PUCARA and CUSCO. It was made of special gold and to have a particular VIBRATION that could ACTIVATE inherent POWERS. The gate manifested itself in a higher dimension and could be reached when the individual expanded the level of
consciousness into the world of the subconsciousness.
CENTRAL SUN (HATUN INTI).
According to legend, a GOLDEN DISK that HELD the RECORD of many ANCIENT civilizations
was BROUGHT from LEMURIA by ARAMU MURU.
The records covered many things and laid down the patterns of life for the whole Empire. There were records about creation of sacred places, land, people, animals and plants, law and customs. It was a complex network of KNOWLEDGE, FAITH, and PRACTICES. The records informed all spiritual and physical aspects of cosmic and earthly life.
ARAMU MURU taught that every person essentially exists eternally in the invisible world. This eternal part existed before the life of the individual begins, and continues to exist when the life of the individual ends. Both before and after life, this SPIRIT-CHILD exists in the invisible world and is only initiated into life by being born through a mother.
Upon birth, the child was considered to be a special custodian of that part of his land and was taught the songs or lyrics (certain vibrations) pertaining to that place.
Before humans, animals, and plants came into being, their "SOULS" existed; they knew they would become physical, but not when. The SPIRITUAL PURPOSE of that specific soul was AGREED upon before the incarnation into this REALITY (materialization). The soul contract (guided plan for the individual's life) was in the DIVINE; the soul co-created the contract with divine guidance and it included many individual agreements (subcontracts) to meet and work with certain people, in certain places, at certain times. The earthly commitments, tasks assigned, lessons agreed to learn in this incarnation were established in order to fulfill to DIVINE potentiality.
The GOLDEN DISK was kept at TIAWANAKU, PUCARA and CUSCO. It was made of special gold and to have a particular VIBRATION that could ACTIVATE inherent POWERS. The gate manifested itself in a higher dimension and could be reached when the individual expanded the level of
consciousness into the world of the subconsciousness.
Thursday, May 23, 2013
GUIDING ANCESTORS, who were they?
ANCESTORS played an important ROLE in THEIR EMPIRE. The laws and customs established by the ANCESTOR' S SPIRIT acted as GUIDELINES for LIFE to them and his descendants.
This ANCESTORS existed OUTSIDE TIME, their souls returned to the ETERNAL PRESENT of the SPIRITUAL WORLD.
They laid down the PATTERNS OF LIFE for the INKA's EMPIRE. It represented a complex network
of KNOWLEDGE, FAITH and PRACTICES. It pervaded and informed all SPIRITUAL and PHYSICAL aspects of the everyday life during INKA's time, and today still in use in some regions.
The BELIEVE that EVERY PERSON essentially EXISTS ETERNALLY in the SPIRIT WORLD made them aware that this eternal part existed before the life of the individual begun, and continued to exist when the life of the individual ended.
Both before and after life, it was believed that this SPIRIT existed in the INVISIBLE WORLD and is only initiated into life in this material reality by being born through a mother. When the mother felt the child move in the womb for the first time, it was thought that this was the WORK OF THE SPIRIT OF THE LAND IN WHICH the MOTHER then STOOD.
Upon birth, the child was considered to be a special custodian of the part of his country and was taught the stories, ceremonies, rituals, dances, song lines of that specific place. This process of identification helped to develop a sense of identity and belonging that was used later in terms of sacrifices for the nation in ritual ceremonies. The child was prepared in mind and soul for these rare type of offerings.
Children were considered purer than adults and the sacrificed child become deified as a representative of the people , living with the gods forever. Such children were worshipped. Usually they were children of high-ranking kingship AYLLUS OF THE PROVINCES, bringing them to CUSCO to be trained since BIRTH for the ritual, SANCTIFIED in the CORICANCHA, and then marched along the LINE OF LIVING ENERGIES running through the AREA, or BETWEEN TWO RITUAL SITES
(cekes) TO THEIR HOMES and then SACRIFICED in a ritual ceremony.
The SACRIFICED reconfirmed and reasserted INKA SOVEREIGNTY over the PROVINCES.
The INKAS were convinced that THEIR FATE WAS INTERTWINED WITH THE MOVEMENTS
OF THE STARS and PLANETS. And they were obliged to present these extreme case of sacrifice in an attempt to forestall the cataclysm that would destroy their world, or halt the march of time and prevent the apocalyptic events foreshadowed by changes in the NIGHT SKY.
This ANCESTORS existed OUTSIDE TIME, their souls returned to the ETERNAL PRESENT of the SPIRITUAL WORLD.
They laid down the PATTERNS OF LIFE for the INKA's EMPIRE. It represented a complex network
of KNOWLEDGE, FAITH and PRACTICES. It pervaded and informed all SPIRITUAL and PHYSICAL aspects of the everyday life during INKA's time, and today still in use in some regions.
The BELIEVE that EVERY PERSON essentially EXISTS ETERNALLY in the SPIRIT WORLD made them aware that this eternal part existed before the life of the individual begun, and continued to exist when the life of the individual ended.
Both before and after life, it was believed that this SPIRIT existed in the INVISIBLE WORLD and is only initiated into life in this material reality by being born through a mother. When the mother felt the child move in the womb for the first time, it was thought that this was the WORK OF THE SPIRIT OF THE LAND IN WHICH the MOTHER then STOOD.
Upon birth, the child was considered to be a special custodian of the part of his country and was taught the stories, ceremonies, rituals, dances, song lines of that specific place. This process of identification helped to develop a sense of identity and belonging that was used later in terms of sacrifices for the nation in ritual ceremonies. The child was prepared in mind and soul for these rare type of offerings.
Children were considered purer than adults and the sacrificed child become deified as a representative of the people , living with the gods forever. Such children were worshipped. Usually they were children of high-ranking kingship AYLLUS OF THE PROVINCES, bringing them to CUSCO to be trained since BIRTH for the ritual, SANCTIFIED in the CORICANCHA, and then marched along the LINE OF LIVING ENERGIES running through the AREA, or BETWEEN TWO RITUAL SITES
(cekes) TO THEIR HOMES and then SACRIFICED in a ritual ceremony.
The SACRIFICED reconfirmed and reasserted INKA SOVEREIGNTY over the PROVINCES.
The INKAS were convinced that THEIR FATE WAS INTERTWINED WITH THE MOVEMENTS
OF THE STARS and PLANETS. And they were obliged to present these extreme case of sacrifice in an attempt to forestall the cataclysm that would destroy their world, or halt the march of time and prevent the apocalyptic events foreshadowed by changes in the NIGHT SKY.
INKAS' philosophy : "EVERYTHING IS ENERGY."
Inka's philosophy manifested that the LIFE FORCE that ANIMATES THE UNIVERSE comes from:
1) the COLLECTIVE, 2) GENETIC, 3) and SPIRITUAL energies. This ENERGIES permeates all of CREATION and comes on various VIBRATIONAL LEVELS.
To get to know their own powers (authentic self) They needed to pay attention to the ENERGIES that worked inside their beings.
They believed that the physical body can be trap or stay locked in their own animalistic habits, unless by themselves, became aware about the existence of a self that worked higher than the material body or level, a higher SPIRIT, or a SOUL that lies deep within each human being.
This level of SPIRITUALITY using their own physical bodies lived beyond the material world and beyond the CONSCIOUS MIND.
This LEVEL that can only BE EXPERIENCED is not studied or understood by the CONSCIOUS MIND. This level was the one who EXPERIENCED MANY LEVELS OF REALITY, yet it was always awake in them and accessible at any time, it never slept.
In this SPIRITUAL LEVEL the PHYSICAL BODY project from the inside world the ESSENCE of LIFE of the AUTHENTIC SELF, for each of them were a UNIQUE RAY FROM THE SAME SUN.
When the connection was missing then the physical body started to decay, been prisoner of their own fatalities and feeling totally empty.
For them, everything was ENERGY. The world was a manifestation of another REALITY that existed
in the COSMOS. These world was the PLACE where WE REMEMBERED WHO WE WERE.
This WORLD of material CONSCIOUSNESS, according to them, was INTERCONNECTED WITH
the DIFFERENT WORLDS OF VIBRATION AND ENERGY.
They said, that WE WERE HERE TO EXPERIENCE NOT TO JUDGE. This was the WORLD of
the PUMA. As the animal faced different sorts of terrains in its habitat, in the same way our souls were suppose to face different realities within THESE MIDDLE WORLD OF EXPERIENCE.
1) the COLLECTIVE, 2) GENETIC, 3) and SPIRITUAL energies. This ENERGIES permeates all of CREATION and comes on various VIBRATIONAL LEVELS.
To get to know their own powers (authentic self) They needed to pay attention to the ENERGIES that worked inside their beings.
They believed that the physical body can be trap or stay locked in their own animalistic habits, unless by themselves, became aware about the existence of a self that worked higher than the material body or level, a higher SPIRIT, or a SOUL that lies deep within each human being.
This level of SPIRITUALITY using their own physical bodies lived beyond the material world and beyond the CONSCIOUS MIND.
This LEVEL that can only BE EXPERIENCED is not studied or understood by the CONSCIOUS MIND. This level was the one who EXPERIENCED MANY LEVELS OF REALITY, yet it was always awake in them and accessible at any time, it never slept.
In this SPIRITUAL LEVEL the PHYSICAL BODY project from the inside world the ESSENCE of LIFE of the AUTHENTIC SELF, for each of them were a UNIQUE RAY FROM THE SAME SUN.
When the connection was missing then the physical body started to decay, been prisoner of their own fatalities and feeling totally empty.
For them, everything was ENERGY. The world was a manifestation of another REALITY that existed
in the COSMOS. These world was the PLACE where WE REMEMBERED WHO WE WERE.
This WORLD of material CONSCIOUSNESS, according to them, was INTERCONNECTED WITH
the DIFFERENT WORLDS OF VIBRATION AND ENERGY.
They said, that WE WERE HERE TO EXPERIENCE NOT TO JUDGE. This was the WORLD of
the PUMA. As the animal faced different sorts of terrains in its habitat, in the same way our souls were suppose to face different realities within THESE MIDDLE WORLD OF EXPERIENCE.
Tuesday, May 21, 2013
TAMBOS, were they supernatural gates?
TAMBO (Span), TAMPU, They were places used as lodges, houses, temporary storage houses, post houses built at intervals of a day's journey along INKA's roads.
TAMBO MACH' AY means "TEMPLE OF THE WATERS." There are THREE CEREMONIAL WATER FOUNTAINS at Tambomach' ay.
The WATER found here is CLEAR and CRYSTALLINE. Its SOURCE IS UNKNOWN and IT IS CONDUCTED THROUGH an UNDERGROUND CHANNEL.
Many people call this site INKA'S BATH and say that these LITURGICAL FOUNTAINS ARE
ETERNAL YOUTH FOUNTAINS OF FERTILITY, thus inducing visitors to drink the water.
TAMBO TOCO, means "PLACE OF WINDOWS. " The name of the MOUNTAIN IN PACARI-
TAMBO in which there are THREE CAVES. The CENTRAL ONE WAS THE ONE FROM WHICH THE INKA ANCESTORS EMERGED.
The "TEMPLE OF THREE WINDOWS" at MACHU PICCHU mirrors TAMBO TOCO.
Out of the first two came the lineage of the MARAS and the TAMBO, who FAILED TO PRODUCE
DESCENDANTS.
From the LAST CAVE CAME THE AYAR BROTHERS, the BELOVED CHILDREN OF THE
SUN. Since their MISSION was to POPULATE THE WORLD, the god INTI gave each one of them
a wife.
Thus, AYAR MANCO - the eldest - had as wife his own sister MAMA OCLLO;
AYAR AUCA had MAMA HUACO;
AYAR UKHU had MAMA RAURA and
AYAR CACHI was paired with MAMA CORA.
TAMBO MACH' AY means "TEMPLE OF THE WATERS." There are THREE CEREMONIAL WATER FOUNTAINS at Tambomach' ay.
The WATER found here is CLEAR and CRYSTALLINE. Its SOURCE IS UNKNOWN and IT IS CONDUCTED THROUGH an UNDERGROUND CHANNEL.
Many people call this site INKA'S BATH and say that these LITURGICAL FOUNTAINS ARE
ETERNAL YOUTH FOUNTAINS OF FERTILITY, thus inducing visitors to drink the water.
TAMBO TOCO, means "PLACE OF WINDOWS. " The name of the MOUNTAIN IN PACARI-
TAMBO in which there are THREE CAVES. The CENTRAL ONE WAS THE ONE FROM WHICH THE INKA ANCESTORS EMERGED.
The "TEMPLE OF THREE WINDOWS" at MACHU PICCHU mirrors TAMBO TOCO.
Out of the first two came the lineage of the MARAS and the TAMBO, who FAILED TO PRODUCE
DESCENDANTS.
From the LAST CAVE CAME THE AYAR BROTHERS, the BELOVED CHILDREN OF THE
SUN. Since their MISSION was to POPULATE THE WORLD, the god INTI gave each one of them
a wife.
Thus, AYAR MANCO - the eldest - had as wife his own sister MAMA OCLLO;
AYAR AUCA had MAMA HUACO;
AYAR UKHU had MAMA RAURA and
AYAR CACHI was paired with MAMA CORA.
Sunday, May 19, 2013
The INKA EMPIRE, the gate to other dimensions.
The INKA EMPIRE was one of the greatest STATES developed IN the AMERICAS. It EMERGED from CUSCO region, EXPANDED across the WESTERN HIGHLANDS and COAST of SOUTH
AMERICA, and ultimately encompassed a TERRITORY that stretched from MODERN DAY
COLOMBIA to CHILE.
By the TIME of EUROPEAN CONTACT in 1532, the INKA STATE controlled a POPULATION of MORE THAN SIX MILLION inhabitants.
It WAS NOT the ORIGINAL creator of CULTURE in its expansive area of SOUTH AMERICA.
It was, rather, the INHERITOR of more ANCIENT CULTURES, many of which the INKA CONQUERED and ABSORBED. Therefore a study of these PROGENITOR CULTURES enhances understanding of the INKA CULTURE.
How these great EMPIRE got the combination of WISDOM and KNOWLEDGE to get access to OTHER DIMENSIONS and work together in order to prepare people living in these material reality
overcome the difficulties of being caught in the lower realms at the point of birth to gain access and status to the world in project, invisible in this reality but to be the real world for eternity.
The STRONG and POWERFUL MEN in charge to give instruction to the ones who were able to resist the very hard training, were called "TEACHERS" or "MASTERS" (Sinchi Runa).
The masters had the POWER TO IMMERSE themselves in water for hours and days TO GAIN CONTACT WITH the UNDERWATER WORLD. During this time they cease to have relations with human realities and connected themselves with the parallel world and dedicated themselves to their underwater reality (subconscious world) in which they also had a life with a wife in a spirit form.
Its mission in SPIRIT is to travel around the WORLD, paying visit to all who call them for help.
These "TEACHERS" have acquired, not only SPIRIT HELPERS, but ALSO the SOULS of POWERFUL ANCESTORS who OBTAINED WISDOM by impersonal application of knowledge. This WISDOM of OPEN SPACES only needs HEAD, INTUITION and SEEING in order to gain contact with the other spirit realms.
The one of the FOUR REGIONS where these "TEACHERS" lived during INKA times WERE the KOLLASUYU. The name of the mountain where they lived were called the KOLLAWAYA. This region was the home of the extraordinary lineage of STRONG and POWERFUL MEN.
This region together with the other three formed the TAWANTINSUYU. This name comprised all the
regions in which the LINES OF LIVING ENERGIES WERE WORKING FOR THE BENEFIT OF THE WHOLE EMPIRE.
AMERICA, and ultimately encompassed a TERRITORY that stretched from MODERN DAY
COLOMBIA to CHILE.
By the TIME of EUROPEAN CONTACT in 1532, the INKA STATE controlled a POPULATION of MORE THAN SIX MILLION inhabitants.
It WAS NOT the ORIGINAL creator of CULTURE in its expansive area of SOUTH AMERICA.
It was, rather, the INHERITOR of more ANCIENT CULTURES, many of which the INKA CONQUERED and ABSORBED. Therefore a study of these PROGENITOR CULTURES enhances understanding of the INKA CULTURE.
How these great EMPIRE got the combination of WISDOM and KNOWLEDGE to get access to OTHER DIMENSIONS and work together in order to prepare people living in these material reality
overcome the difficulties of being caught in the lower realms at the point of birth to gain access and status to the world in project, invisible in this reality but to be the real world for eternity.
The STRONG and POWERFUL MEN in charge to give instruction to the ones who were able to resist the very hard training, were called "TEACHERS" or "MASTERS" (Sinchi Runa).
The masters had the POWER TO IMMERSE themselves in water for hours and days TO GAIN CONTACT WITH the UNDERWATER WORLD. During this time they cease to have relations with human realities and connected themselves with the parallel world and dedicated themselves to their underwater reality (subconscious world) in which they also had a life with a wife in a spirit form.
Its mission in SPIRIT is to travel around the WORLD, paying visit to all who call them for help.
These "TEACHERS" have acquired, not only SPIRIT HELPERS, but ALSO the SOULS of POWERFUL ANCESTORS who OBTAINED WISDOM by impersonal application of knowledge. This WISDOM of OPEN SPACES only needs HEAD, INTUITION and SEEING in order to gain contact with the other spirit realms.
The one of the FOUR REGIONS where these "TEACHERS" lived during INKA times WERE the KOLLASUYU. The name of the mountain where they lived were called the KOLLAWAYA. This region was the home of the extraordinary lineage of STRONG and POWERFUL MEN.
This region together with the other three formed the TAWANTINSUYU. This name comprised all the
regions in which the LINES OF LIVING ENERGIES WERE WORKING FOR THE BENEFIT OF THE WHOLE EMPIRE.
Saturday, May 18, 2013
HANAN and HURIN CUSCO, what it means to us?
The SACRED CENTER of the city of CUSCO was conceived as a STYLIZED SACRED PUMA.
The HEAD is represented by the MIGHTY FORTRESS of SACSAHUAMAN, the HEART by the
MAIN SQUARE of HUACAYPATA, and the TAIL by the CONVERGENCE of the HUATANAY
and the TULLUMAYO RIVERS.
CUSCO was THE CENTER OF THE UNIVERSE for them. More than 300 of the MOST IMPORTANT SACRED SITES (Huacas) in the area AROUND CUSCO were CONCEIVED OF AS LYING AROUND 41 LINES OF LIVING ENERGIES (cekes) EMANATING FROM the TEMPLE of the SUN in the CORICANCHA, UNITING 328 SACRED SITES and STATIONS EQUAL TO THE NUMBER OF DAYS IN 12 LUNAR MONTHS (328days/12months=27.3days, the lunar cycle).
The LINES OF LIVING ENERGIES (cekes) were GROUPED as to HANAN and HURIN. Upper and Lower, respectively - CUSCO and thus the FOUR REGIONS OF the INKA EMPIRE (Tawantinsuyu). Those lines of living energies radiated outward from the CORICANCHA TO THE FOUR regions.
To the INKAS, the EARTH was made of FOUR QUARTERS of living energies, whose MAKE A DIVISION IN FOUR GROUPS OF LIVING ENERGY LINES INTERSECTING IN the sacred city of CUSCO, dividing the EMPIRE in FOUR QUARTERS. Each QUARTER absorbed a quarter of lines of these living energies, and the care of each sacred place (huaca) in which these lines of living energies rested was assigned to a particular group of people. In these way, these living energies were helped in order to coordinate social relationship among people, as well as to organize sacred spaces.
The mighty fortress of SACSAYHUAMAN, considered the HEAD of the PUMA, holds a zig-zagged
outer walls representing the fierce teeth of the animal. The fortress is noted for an extensive system of underground tunnels (maze like tunnels) connecting the fortress throughout the ANDES and some islands on LAKE TITICACA.
The HEAD is represented by the MIGHTY FORTRESS of SACSAHUAMAN, the HEART by the
MAIN SQUARE of HUACAYPATA, and the TAIL by the CONVERGENCE of the HUATANAY
and the TULLUMAYO RIVERS.
CUSCO was THE CENTER OF THE UNIVERSE for them. More than 300 of the MOST IMPORTANT SACRED SITES (Huacas) in the area AROUND CUSCO were CONCEIVED OF AS LYING AROUND 41 LINES OF LIVING ENERGIES (cekes) EMANATING FROM the TEMPLE of the SUN in the CORICANCHA, UNITING 328 SACRED SITES and STATIONS EQUAL TO THE NUMBER OF DAYS IN 12 LUNAR MONTHS (328days/12months=27.3days, the lunar cycle).
The LINES OF LIVING ENERGIES (cekes) were GROUPED as to HANAN and HURIN. Upper and Lower, respectively - CUSCO and thus the FOUR REGIONS OF the INKA EMPIRE (Tawantinsuyu). Those lines of living energies radiated outward from the CORICANCHA TO THE FOUR regions.
To the INKAS, the EARTH was made of FOUR QUARTERS of living energies, whose MAKE A DIVISION IN FOUR GROUPS OF LIVING ENERGY LINES INTERSECTING IN the sacred city of CUSCO, dividing the EMPIRE in FOUR QUARTERS. Each QUARTER absorbed a quarter of lines of these living energies, and the care of each sacred place (huaca) in which these lines of living energies rested was assigned to a particular group of people. In these way, these living energies were helped in order to coordinate social relationship among people, as well as to organize sacred spaces.
The mighty fortress of SACSAYHUAMAN, considered the HEAD of the PUMA, holds a zig-zagged
outer walls representing the fierce teeth of the animal. The fortress is noted for an extensive system of underground tunnels (maze like tunnels) connecting the fortress throughout the ANDES and some islands on LAKE TITICACA.
Sunday, May 12, 2013
Who was the INKA?
INKA, in the beginning, represented a ruling class of designated people inhabiting CUSCO VALLEY.
The name comes from the ancient word "ENQA" which means "BLACK HOLE" or " ONE WHO
CAN ABSORB ALL THE LIVING ENERGIES.
The INKA have ATTAINED MYTHIC STATUS IN THE AMAZON. Among the VEGETALISTAS (a man or a woman who travels to the parallel worlds where TIME and SPACE
have no meaning and who uses the powers of those worlds to cause changes in the realities of this world), the INKA is considered to be The Father and Creator of humanity.
They do not disappear instead THEY CONTINUE TO LIVE, enchanted, IN CITIES UBDER THE
EARTH AND SPIRIT CITIES IN THE SKY.
There is evidence that the INKA ROYALTY had a spoken language that was maintained in secret.
In his capacity as the REPRESENTATION OF THE SUN ON EARTH, his presence brought warmth
and light to make the world habitable. It represented the knowledge and learning in INKA times; the organizing principle; the regeneration of life; birthing process; the creative force of everything.
According to legend, a GOLDEN DISC that held the record of many ancient civilizations was brought
from THE CONTINENT OF LEMURIA by a legendary master teacher, TO THE ANDES in order to CONNECT the PEOPLE TO THE DIVINE CENTRAL SUN.
The GOLDEN DISK was KEPT at TIAWANAKU, PUCARA and CUSCO. It was said to be made
of SPECIAL GOLD and TO HAVE A PARTICULAR VIBRATION THAT COULD ACTIVATE
INHERENT POWERS. In the INVISIBLE WORLD the type of beings capable of moving between
dimensions were familiar with this type of vibrational traveling.
When Spanish arrived, the GOLDEN DISK was TAKEN from CUSCO to the Monastery of the Seven Rays and later HIDDEN IN A CRYSTAL CITY IN THE DEPTHS OF LAKE TITICACA.
The name comes from the ancient word "ENQA" which means "BLACK HOLE" or " ONE WHO
CAN ABSORB ALL THE LIVING ENERGIES.
The INKA have ATTAINED MYTHIC STATUS IN THE AMAZON. Among the VEGETALISTAS (a man or a woman who travels to the parallel worlds where TIME and SPACE
have no meaning and who uses the powers of those worlds to cause changes in the realities of this world), the INKA is considered to be The Father and Creator of humanity.
They do not disappear instead THEY CONTINUE TO LIVE, enchanted, IN CITIES UBDER THE
EARTH AND SPIRIT CITIES IN THE SKY.
There is evidence that the INKA ROYALTY had a spoken language that was maintained in secret.
In his capacity as the REPRESENTATION OF THE SUN ON EARTH, his presence brought warmth
and light to make the world habitable. It represented the knowledge and learning in INKA times; the organizing principle; the regeneration of life; birthing process; the creative force of everything.
According to legend, a GOLDEN DISC that held the record of many ancient civilizations was brought
from THE CONTINENT OF LEMURIA by a legendary master teacher, TO THE ANDES in order to CONNECT the PEOPLE TO THE DIVINE CENTRAL SUN.
The GOLDEN DISK was KEPT at TIAWANAKU, PUCARA and CUSCO. It was said to be made
of SPECIAL GOLD and TO HAVE A PARTICULAR VIBRATION THAT COULD ACTIVATE
INHERENT POWERS. In the INVISIBLE WORLD the type of beings capable of moving between
dimensions were familiar with this type of vibrational traveling.
When Spanish arrived, the GOLDEN DISK was TAKEN from CUSCO to the Monastery of the Seven Rays and later HIDDEN IN A CRYSTAL CITY IN THE DEPTHS OF LAKE TITICACA.
Saturday, May 11, 2013
WIRACOCHA, a cosmological god.
WIRACOCHA, was associated with the WATER ELEMENT, with the WHITE COLOR, with the MILKY WAY, with the PERIPHERY (boundaries), and the SPACE (space/time come together and life happens below their place).
The INKA concept about the cycle of life outside the earth is overwhelming. The elliptical journey of the EARTH around the SUN, and our STAR SYSTEM around THE CENTER OF THE GALAXY
were pretty much known to them. Thus the understanding of the elliptical ENERGY BUBLE around
the body was part of their everyday life.
In INKA cosmology, the MOVEMENTS of the CELESTIAL RIVER (Milky Way=MAYU) were the starting point for calendar correlations with natural changes on the EARTH. From these observations the INKAS organized daily, seasonal, and annual labor and ritual.
The inter cardinal AXES of the CELESTIAL RIVER (Milky Way =MAYU) corresponded to the ROUTES OUT OF CUSCO TO the TAWANTINSUYU and the LINE of living ENERGY (CEKE)
alignments.
The INKAS were convinced that their FATE was INTERTWINED with the MOVEMENTS of STARS and PLANETS. Drawing on their ancient mythological database, the INKAS REASONED, from the principle "as above" so "below," that LOSS of contact with the ANCESTORS, upon which
their RELIGIOUS BELIEFS WERE FOUNDED, would mean their WAY of LIFE would BE DESTROYED on EARTH. The GATE or bridge to the LAND of the ANCESTORS was about to BE WASHED AWAY (that is, the rising of the December solstice SUN with the MILKY WAY).
continue...
The INKA concept about the cycle of life outside the earth is overwhelming. The elliptical journey of the EARTH around the SUN, and our STAR SYSTEM around THE CENTER OF THE GALAXY
were pretty much known to them. Thus the understanding of the elliptical ENERGY BUBLE around
the body was part of their everyday life.
In INKA cosmology, the MOVEMENTS of the CELESTIAL RIVER (Milky Way=MAYU) were the starting point for calendar correlations with natural changes on the EARTH. From these observations the INKAS organized daily, seasonal, and annual labor and ritual.
The inter cardinal AXES of the CELESTIAL RIVER (Milky Way =MAYU) corresponded to the ROUTES OUT OF CUSCO TO the TAWANTINSUYU and the LINE of living ENERGY (CEKE)
alignments.
The INKAS were convinced that their FATE was INTERTWINED with the MOVEMENTS of STARS and PLANETS. Drawing on their ancient mythological database, the INKAS REASONED, from the principle "as above" so "below," that LOSS of contact with the ANCESTORS, upon which
their RELIGIOUS BELIEFS WERE FOUNDED, would mean their WAY of LIFE would BE DESTROYED on EARTH. The GATE or bridge to the LAND of the ANCESTORS was about to BE WASHED AWAY (that is, the rising of the December solstice SUN with the MILKY WAY).
continue...
Friday, May 10, 2013
CHRISTIAN' s BELIEFS vs. INKA's BELIEFS
GOD OF ISRAEL :Throughout the SCRIPTURES GOD is identified as the CREATOR. He is
the CREATOR of the HEAVENS the FORMER of the EARTH and the MAKER of it.
He is the FORMER of the MOUNTAINS and the CREATOR of the WIND, and is
the ONE who MAKE the HEAVEN and the EARTH and the SEA and ALL the THINGS in them. JESUS CHRIST recognized GOD as the ONE who CREATED HUMANS, making them MALE and FEMALE. Hence, GOD is fittingly and uniquely called THE CREATOR.
By the WORD of GOD the HEAVENS themselves were MADE, and by the SPIRIT of his MOUTH all their ARMY.
While the EARTH was yet FORMLESS and WASTE with DARKNESS upon the SURFACE of the WATERY DEEP. It was the POWER of GOD that was MOVING TO and FRO over the SURFACE of the WATER."
He CREATED the THINGS in perfect ORDER, rather than chaos or chance, but of PEACE.
HE took SPECIFIC STEPS in FOUNDING the EARTH and BARRICADING the SEA and
he indicated that THERE EXIST "STATUTES of the HEAVENS.
WIRACOCHA, The GOD of CREATION. Associated with WATER, WHITE, the MILKY WAY,
the PERIPHERY and HURIN.
HURIN was the SPACE in which SPACE / TIME come together and LIFE happens. Also was the RELATIONSHIP of PARALLELISM TO the HORIZON (going across rather than up and down)
with CEKES.
CEKE was the LINE of LIVING ENERGY running THROUGH the EARTH, OR BETWEEN
TWO RITUAL SITES. The CEKES were an INKA CONCEPT in which THE CROSSING PATHS
OF ASTRONOMY, OBSERVATION, ARCHITECTURAL ALIGNMENT, and the SOCIAL and
GEOGRAPHICAL DIVISIONS INTER-VOWEN forming the INKA EMPIRE.
There were LINES OF LIVING ENERGY (cekes) EMANATING FROM THE TEMPLE OF THE SUN IN THE CORICANCHA, UNITING a number of HUACAS (niches) and stations equal to
the number of DAYS IN 12 LUNAR MONTHS.
The lines of living energies (cekes) were grouped as to UPPER CEKE (HANAN=CUSCO) and LOWER CEKE (HURIN=TAWANTINSUYU).
One example of the CORICANCHA-CEKE-HUACA system is the SPRING OF CATACHILLAY.
Each of the numbered CEKES was the responsibility of a CLAN that was expected to tend the HUACAS (niches) along the LINE OF LIVING ENERGY and offer sacrifices on appropriate occasions. The attendant to whom the duties were delegated were usually old people. They could explain the significance of their particular HUACA, acting as a kind of ORAL MEMORY-BANK.
They knew the CORRECT FORMULAS FOR MAKING SACRIFICES AND THE OFFERINGS
THAT WERE TO BE GIVEN AND WOULD PROMISE BLESSING.
the CREATOR of the HEAVENS the FORMER of the EARTH and the MAKER of it.
He is the FORMER of the MOUNTAINS and the CREATOR of the WIND, and is
the ONE who MAKE the HEAVEN and the EARTH and the SEA and ALL the THINGS in them. JESUS CHRIST recognized GOD as the ONE who CREATED HUMANS, making them MALE and FEMALE. Hence, GOD is fittingly and uniquely called THE CREATOR.
By the WORD of GOD the HEAVENS themselves were MADE, and by the SPIRIT of his MOUTH all their ARMY.
While the EARTH was yet FORMLESS and WASTE with DARKNESS upon the SURFACE of the WATERY DEEP. It was the POWER of GOD that was MOVING TO and FRO over the SURFACE of the WATER."
He CREATED the THINGS in perfect ORDER, rather than chaos or chance, but of PEACE.
HE took SPECIFIC STEPS in FOUNDING the EARTH and BARRICADING the SEA and
he indicated that THERE EXIST "STATUTES of the HEAVENS.
WIRACOCHA, The GOD of CREATION. Associated with WATER, WHITE, the MILKY WAY,
the PERIPHERY and HURIN.
HURIN was the SPACE in which SPACE / TIME come together and LIFE happens. Also was the RELATIONSHIP of PARALLELISM TO the HORIZON (going across rather than up and down)
with CEKES.
CEKE was the LINE of LIVING ENERGY running THROUGH the EARTH, OR BETWEEN
TWO RITUAL SITES. The CEKES were an INKA CONCEPT in which THE CROSSING PATHS
OF ASTRONOMY, OBSERVATION, ARCHITECTURAL ALIGNMENT, and the SOCIAL and
GEOGRAPHICAL DIVISIONS INTER-VOWEN forming the INKA EMPIRE.
There were LINES OF LIVING ENERGY (cekes) EMANATING FROM THE TEMPLE OF THE SUN IN THE CORICANCHA, UNITING a number of HUACAS (niches) and stations equal to
the number of DAYS IN 12 LUNAR MONTHS.
The lines of living energies (cekes) were grouped as to UPPER CEKE (HANAN=CUSCO) and LOWER CEKE (HURIN=TAWANTINSUYU).
One example of the CORICANCHA-CEKE-HUACA system is the SPRING OF CATACHILLAY.
Each of the numbered CEKES was the responsibility of a CLAN that was expected to tend the HUACAS (niches) along the LINE OF LIVING ENERGY and offer sacrifices on appropriate occasions. The attendant to whom the duties were delegated were usually old people. They could explain the significance of their particular HUACA, acting as a kind of ORAL MEMORY-BANK.
They knew the CORRECT FORMULAS FOR MAKING SACRIFICES AND THE OFFERINGS
THAT WERE TO BE GIVEN AND WOULD PROMISE BLESSING.
Thursday, May 9, 2013
WHO ARE THE "KOLLA HUAYAS?"
The KOLLA HUAYAS means "the one who carries the medicine," are the healers who live at the ACAMANI MOUNTAIN, whose habitants are HERBALISTS. They are know as the "magicians."
KOLLAHUAYA, during the INKA empire, was a PROVINCE of the ANTISUYU (now in Bolivia).
The Antisuyo was the NORTHEAST corner of the TAWANTINSUYU (name of the empire).
The TAWANTINSUYU comprised the ANDES mountain regions NORTH, EAST, and SOUTHEAST of CUSCO as far as the foothills overlooking the AMAZON FOREST.
Mythically, the ANTISUYU had to do with learning realities through conventional means, and the shaman learning through revelation, awakening directly through the DIVINE PACHA's consciousness
of LOVE (TUKUY MUNAYNIYOC). Corresponding to NORTH direction of a medicine wheel.
The medicine wheel is the representation or the symbolization of the INDIVIDUAL JOURNEY WE TAKE, TO FIND OUR OWN PATH. All medicine wheels are representations of the universes of
SPACE / TIME and of ENERGY and SPIRIT. Also they represent the FOUR DIRECTIONS and
the FOUR ELEMENTS (earth, air, fire, water), with the center representing the individual.
On the BOLIVIAN side of LAKE TITICACA, the HIGH ANDES, are the home of THE EXTRA-ORDINARY LINEAGE OF HEALERS known as the KOLLA HUAYAS.
They were the DOCTORS to the INKAS and ruling class. For THOUSANDS OF YEARS they have TRAVELLED THROUGHOUT SOUTH AMERICA, healing and gathering KNOWLEDGE OF
HERBS and CEREMONY.
The KOLLA HUAYAS are able to SEE into the PATTERNS of many aspects of LIVE, such as
WORK, WORSHIP, HEALTH, and RELATIONSHIP. Whenever they find a sort of imbalance,
they are able to re-pattern the way or path, it sounds like they are able to help the patient to look into the invisible world and see with clarity what is wrong and how he/she can deal with it, and regain PEACE and HARMONY along the JOURNEY OF LIFE.
KOLLAHUAYA, during the INKA empire, was a PROVINCE of the ANTISUYU (now in Bolivia).
The Antisuyo was the NORTHEAST corner of the TAWANTINSUYU (name of the empire).
The TAWANTINSUYU comprised the ANDES mountain regions NORTH, EAST, and SOUTHEAST of CUSCO as far as the foothills overlooking the AMAZON FOREST.
Mythically, the ANTISUYU had to do with learning realities through conventional means, and the shaman learning through revelation, awakening directly through the DIVINE PACHA's consciousness
of LOVE (TUKUY MUNAYNIYOC). Corresponding to NORTH direction of a medicine wheel.
The medicine wheel is the representation or the symbolization of the INDIVIDUAL JOURNEY WE TAKE, TO FIND OUR OWN PATH. All medicine wheels are representations of the universes of
SPACE / TIME and of ENERGY and SPIRIT. Also they represent the FOUR DIRECTIONS and
the FOUR ELEMENTS (earth, air, fire, water), with the center representing the individual.
On the BOLIVIAN side of LAKE TITICACA, the HIGH ANDES, are the home of THE EXTRA-ORDINARY LINEAGE OF HEALERS known as the KOLLA HUAYAS.
They were the DOCTORS to the INKAS and ruling class. For THOUSANDS OF YEARS they have TRAVELLED THROUGHOUT SOUTH AMERICA, healing and gathering KNOWLEDGE OF
HERBS and CEREMONY.
The KOLLA HUAYAS are able to SEE into the PATTERNS of many aspects of LIVE, such as
WORK, WORSHIP, HEALTH, and RELATIONSHIP. Whenever they find a sort of imbalance,
they are able to re-pattern the way or path, it sounds like they are able to help the patient to look into the invisible world and see with clarity what is wrong and how he/she can deal with it, and regain PEACE and HARMONY along the JOURNEY OF LIFE.
Wednesday, May 8, 2013
SORCERY, what it means?
SORCERY : OCCULT and MAGICAL practices associated with HOSTILITY, EVIL and DARK-
NESS, tending to INDUCE ILLNESS and DEATH, rather than healing.
Much of the concept of MAGIC-WORKING SORCERY is BASED ON THE COLLECTIVE BELIEF that EVIL SPIRITS CAN BE INDUCED : 1) either to leave or to enter a person;
2) that they can be tricked and deceived; 3) that they can be captured or trapped into a piece of wood
or a clay image.
All such notions naturally gave rise to a crafty class of magic-practicing sorcerers, who exercised great power over the lives of the people. The INKA ruler had concerns about this type of crafty magic-practitioners; women attendants instantly swallowed any hairs that fell from his head, in the event that
they should fall into the hands of a SORCERER.
SORCERERS and SHAMANS study the same secret arts and powers, yet approach practice with very different intentions.
In the AMAZON, a indigenous HEALER, train himself using the plants' kingdom. He can only become a good HEALER by keeping a DIET or FASTING FOR YEARS.
He is able to DISTINGUISH THE TYPE OF SORCERY his patient is suffering from by ingesting
AYAHUASCA and observing the type of lights (AURA) surrounding the patient. The drink is a brew of a kind of liana of the Amazon region. The active ingredient of this brew is HARM-INE, that allows
the healer to be guided beyond the realms of death. This realm controlled by evil spirits can be observed
by the healer and by observation he is able to assess the spell, then he can produce good results by breaking the spells and canceling the curses.
NESS, tending to INDUCE ILLNESS and DEATH, rather than healing.
Much of the concept of MAGIC-WORKING SORCERY is BASED ON THE COLLECTIVE BELIEF that EVIL SPIRITS CAN BE INDUCED : 1) either to leave or to enter a person;
2) that they can be tricked and deceived; 3) that they can be captured or trapped into a piece of wood
or a clay image.
All such notions naturally gave rise to a crafty class of magic-practicing sorcerers, who exercised great power over the lives of the people. The INKA ruler had concerns about this type of crafty magic-practitioners; women attendants instantly swallowed any hairs that fell from his head, in the event that
they should fall into the hands of a SORCERER.
SORCERERS and SHAMANS study the same secret arts and powers, yet approach practice with very different intentions.
In the AMAZON, a indigenous HEALER, train himself using the plants' kingdom. He can only become a good HEALER by keeping a DIET or FASTING FOR YEARS.
He is able to DISTINGUISH THE TYPE OF SORCERY his patient is suffering from by ingesting
AYAHUASCA and observing the type of lights (AURA) surrounding the patient. The drink is a brew of a kind of liana of the Amazon region. The active ingredient of this brew is HARM-INE, that allows
the healer to be guided beyond the realms of death. This realm controlled by evil spirits can be observed
by the healer and by observation he is able to assess the spell, then he can produce good results by breaking the spells and canceling the curses.
SHAMAN, what it means?
SHAMAN, in the language of the INKAS - "TUNGUS." A person, male or female, who HAS AN
OVERWHELMING PSYCHOLOGICAL EXPERIENCE THAT TURNS HIM TOTALLY
INWARD. The WHOLE UNCONSCIOUS WORLD OPENS UP, and the person falls into it.
The person is able to TRAVEL TO THE PARALLEL WORLDS WHERE TIME and SPACE have
NO MEANING and who USES THE POWERS OF THOSE WORLDS : The WORLD OF THE
SUBCONSCIOUS and the REALITIES OF THIS WORLD to cause change.
They can alter a person's health, the weather, or the relationship between a community and its surround-
ings. The person does this to contact and utilize a hidden reality to acquire knowledge and to help others.
Since the SHAMANISM encompasses a variety of indigenous religious beliefs and practices, to act as intermediary between a SPIRIT ENTITY, or SPIRITS and HUMAN BEINGS, it requires a very special DESIGNATION, otherwise the entity or entities overwhelm the human being and he or she ended up losing the mind and in some cases mind and body (SUICIDE).
In the Scriptures, SPIRITUAL rather than PHYSICAL breakdown, and SPIRITUAL HEALING IN
TURN, are subjects of particular significance. Attention is called to the RESPONSIBILITY of natural
LEADERS in this matters. The Scripture says : "FROM the PROPHET even TO the PRIEST, EACH
one WAS ACTING FALSELY." at the same time MAKING A PRETENSE OF HEALING THE
BREAKDOWN OF GOD's PEOPLE. "PHYSICIANS OF NO VALUE."
OVERWHELMING PSYCHOLOGICAL EXPERIENCE THAT TURNS HIM TOTALLY
INWARD. The WHOLE UNCONSCIOUS WORLD OPENS UP, and the person falls into it.
The person is able to TRAVEL TO THE PARALLEL WORLDS WHERE TIME and SPACE have
NO MEANING and who USES THE POWERS OF THOSE WORLDS : The WORLD OF THE
SUBCONSCIOUS and the REALITIES OF THIS WORLD to cause change.
They can alter a person's health, the weather, or the relationship between a community and its surround-
ings. The person does this to contact and utilize a hidden reality to acquire knowledge and to help others.
Since the SHAMANISM encompasses a variety of indigenous religious beliefs and practices, to act as intermediary between a SPIRIT ENTITY, or SPIRITS and HUMAN BEINGS, it requires a very special DESIGNATION, otherwise the entity or entities overwhelm the human being and he or she ended up losing the mind and in some cases mind and body (SUICIDE).
In the Scriptures, SPIRITUAL rather than PHYSICAL breakdown, and SPIRITUAL HEALING IN
TURN, are subjects of particular significance. Attention is called to the RESPONSIBILITY of natural
LEADERS in this matters. The Scripture says : "FROM the PROPHET even TO the PRIEST, EACH
one WAS ACTING FALSELY." at the same time MAKING A PRETENSE OF HEALING THE
BREAKDOWN OF GOD's PEOPLE. "PHYSICIANS OF NO VALUE."
PUMA, A LARGE CAT, the KING of the AMERICAS
PUMA also known as cougar, panther, or catamount, is a LARGE CAT of the family FELIDAE native to the AMERICA CONTINENT. Its range from the CANADIAN YUKON to the SOUTH-
ERN ANDES of SOUTH AMERICA, is the greatest of any wild terrestrial mammal in the WESTERN HEMISPHERE.
As ADAPTABLE, generalist species, the PUMA is found in MOST HABITAT TYPES.
It is the SECOND HEAVIEST CAT in the Western Hemisphere, after the JAGUAR (Panther family).
SOLITARY by nature and NOCTURNAL, is most CLOSELY RELATED TO smaller FELINES
and NEARER GENETICALLY TO THE DOMESTIC CAT.
An excellent STALK - and - AMBUSH PREDATOR. It is TERRITORIAL and SURVIVES AT LOW POPULATION DENSITIES. I t is RECLUSIVE and usually avoids people.
The HUAYNA PICCHU (Young Mountain), the mountain located near MACHU PICCHU (Old
Mountain), is naturally shaped like a PUMA. Inka architects constructed small terraces high on the
summit to create the impression that the PUMA "s hair was standing up straight.
One of the most dramatic examples of the importance of the PUMA to INKA mythology can be found in the ancient CITY OF CUSCO. In fact, the entire city was built in the shape of a massive reclining
PUMA, with the FORTRESS SAKSAYHUAMAN serving as the PUMA' s HEAD.
The name SAKSAYHUAMAN derives of the INKA language words "SAKSAY" (MARBLED)
and "UMA" (HEAD), which literally translates to "MARBLED HEAD."
ERN ANDES of SOUTH AMERICA, is the greatest of any wild terrestrial mammal in the WESTERN HEMISPHERE.
As ADAPTABLE, generalist species, the PUMA is found in MOST HABITAT TYPES.
It is the SECOND HEAVIEST CAT in the Western Hemisphere, after the JAGUAR (Panther family).
SOLITARY by nature and NOCTURNAL, is most CLOSELY RELATED TO smaller FELINES
and NEARER GENETICALLY TO THE DOMESTIC CAT.
An excellent STALK - and - AMBUSH PREDATOR. It is TERRITORIAL and SURVIVES AT LOW POPULATION DENSITIES. I t is RECLUSIVE and usually avoids people.
The HUAYNA PICCHU (Young Mountain), the mountain located near MACHU PICCHU (Old
Mountain), is naturally shaped like a PUMA. Inka architects constructed small terraces high on the
summit to create the impression that the PUMA "s hair was standing up straight.
One of the most dramatic examples of the importance of the PUMA to INKA mythology can be found in the ancient CITY OF CUSCO. In fact, the entire city was built in the shape of a massive reclining
PUMA, with the FORTRESS SAKSAYHUAMAN serving as the PUMA' s HEAD.
The name SAKSAYHUAMAN derives of the INKA language words "SAKSAY" (MARBLED)
and "UMA" (HEAD), which literally translates to "MARBLED HEAD."
Monday, May 6, 2013
The Square Cross. (Chakana) continue... part 2
The "SQUARE CROSS" form suggested by THIS PLAZA, in the "CITY of LIGHT of MACHU PICCHU" materializes in the following order according to its different spaces:
- To the SOUTH, by what it is called the priest or priestess' enclosure.
- To the EAST, by the "TEMPLE of the TRINE - FLAME," the TEMPLE of the THREE OPEN
WINDOWS."
- To the NORTH, by the Principle Temple and its ceremonial table open to the SOUTH direction as if
receiving the SACRED MOUNTAIN OF MACHU PICCHU.
- To the WEST, by the open space where another tower' s semicircular base is found.
All parts of this PLAZA suggest a correspondence with the 'THREE - LEVELED SYMBOL CROSS,
the ANDEAN CHAKANA." A symbol resulting from the most important constellation studied in SOUTHERN HEMISPHERE and therefore THE ANDES.
In a surprising way we find these symbols hidden and without transcendent significance to the quick eye of the visitor unfamiliar with ANDEAN icons.
In the COSMOS, the CROSS is compressed of FOUR MAIN STARS, each corresponding to the CARDINAL POINTS of the compass.
In front of the "TEMPLE OF THE THREE OPEN WINDOWS," there is a FLAT STONE with
THREE - LEVELED CARVINGS and ASCENDING PROGRESSION equally distributed to the right and left.
The ANDEAN PEOPLE believed THE WORLD WAS DIVIDED INTO THREE EXISTENTIAL PLANES, which they called "PACHAS," each "PACHA" representing its own dimension and capable of communicating with the "PACHA" next to it.
Each step within the CROSS (CHAKANA) represents a PLANE or DIMENSION of THE UNIVERSE. The equal armed CROSS denotes : the UPPER LEVEL (HANAN PACHA), the MIDDLE LEVEL (KAY PACHA), and LOWER LEVEL (UCKU PACHA). They indicate the cardinal points of the compass and a superimpose square. The HOLE, through the CENTER of the cross, is the AXIS, by means of which the purified beings transits THE COSMIC VAULT to the
OTHER REALMS. It is also called metaphorically : "the BRIDGE of HEAVEN;" uniting Heaven
and Earth.
- To the SOUTH, by what it is called the priest or priestess' enclosure.
- To the EAST, by the "TEMPLE of the TRINE - FLAME," the TEMPLE of the THREE OPEN
WINDOWS."
- To the NORTH, by the Principle Temple and its ceremonial table open to the SOUTH direction as if
receiving the SACRED MOUNTAIN OF MACHU PICCHU.
- To the WEST, by the open space where another tower' s semicircular base is found.
All parts of this PLAZA suggest a correspondence with the 'THREE - LEVELED SYMBOL CROSS,
the ANDEAN CHAKANA." A symbol resulting from the most important constellation studied in SOUTHERN HEMISPHERE and therefore THE ANDES.
In a surprising way we find these symbols hidden and without transcendent significance to the quick eye of the visitor unfamiliar with ANDEAN icons.
In the COSMOS, the CROSS is compressed of FOUR MAIN STARS, each corresponding to the CARDINAL POINTS of the compass.
In front of the "TEMPLE OF THE THREE OPEN WINDOWS," there is a FLAT STONE with
THREE - LEVELED CARVINGS and ASCENDING PROGRESSION equally distributed to the right and left.
The ANDEAN PEOPLE believed THE WORLD WAS DIVIDED INTO THREE EXISTENTIAL PLANES, which they called "PACHAS," each "PACHA" representing its own dimension and capable of communicating with the "PACHA" next to it.
Each step within the CROSS (CHAKANA) represents a PLANE or DIMENSION of THE UNIVERSE. The equal armed CROSS denotes : the UPPER LEVEL (HANAN PACHA), the MIDDLE LEVEL (KAY PACHA), and LOWER LEVEL (UCKU PACHA). They indicate the cardinal points of the compass and a superimpose square. The HOLE, through the CENTER of the cross, is the AXIS, by means of which the purified beings transits THE COSMIC VAULT to the
OTHER REALMS. It is also called metaphorically : "the BRIDGE of HEAVEN;" uniting Heaven
and Earth.
THE SQUARE CROSS - CHAKANA -
The SQUARE CROSS personifies THE CONSTELLATION believed by THE ANCIENT ANDEANS TO BE THE CENTER OF THE UNIVERSE. The SACRED PLAZA or PLAZA OF THE SUN is the representation of this center point in MACHU PICCHU.
The plaza has three enclosures with CARDINAL distribution, from them, two are more noteworthy :
- the "MAIN ALTAR" enclosure located at the NORTHERN END of the plaza with a perfect carved
CEREMONIAL TABLE.
- the TEMPLE of the THREE WINDOWS (or Temple of the THREE OPEN WINDOWS," because
in its EAST face, this enclosure actually has three open windows and two closed windows, which
also form niches or altars.
We also have a third enclosure with very simple masonry located towards the SOUTH END of the
PLAZA that was used by a PRIEST or PRIESTESS to store ceremonial objects, or rest during some
moment of the day, or keep vigilance over the temple itself.
So far we have three enclosures of CARDINAL PLACEMENT; to complete the missing WESTERN
direction, we will use the OPEN SPACE where in its RIGHT ANGLE we find a SEMICIRCULAR
BASE that COINCIDE WITH THE STRUCTURE and FUNCTION of the TEMPLE of the SUN
(SOLAR TOWER). Observations of LIGHT and SHADOW at sunset were realized here.
This OPEN SPACE containing the SEMICIRCULAR BASE points along the HORIZON towards the
WILLKAMAYU RIVER, ending in the VILCABAMBA CORDILLERA, and perfected by the
"PUMASILLU" (the Puma's Claw) MOUNTAIN.
In this way the PLAZA defines the form of the "SQUARE CROSS," a studied symbol that represented
the SOUTHERN CROSS CONSTELLATION.
continue...
The plaza has three enclosures with CARDINAL distribution, from them, two are more noteworthy :
- the "MAIN ALTAR" enclosure located at the NORTHERN END of the plaza with a perfect carved
CEREMONIAL TABLE.
- the TEMPLE of the THREE WINDOWS (or Temple of the THREE OPEN WINDOWS," because
in its EAST face, this enclosure actually has three open windows and two closed windows, which
also form niches or altars.
We also have a third enclosure with very simple masonry located towards the SOUTH END of the
PLAZA that was used by a PRIEST or PRIESTESS to store ceremonial objects, or rest during some
moment of the day, or keep vigilance over the temple itself.
So far we have three enclosures of CARDINAL PLACEMENT; to complete the missing WESTERN
direction, we will use the OPEN SPACE where in its RIGHT ANGLE we find a SEMICIRCULAR
BASE that COINCIDE WITH THE STRUCTURE and FUNCTION of the TEMPLE of the SUN
(SOLAR TOWER). Observations of LIGHT and SHADOW at sunset were realized here.
This OPEN SPACE containing the SEMICIRCULAR BASE points along the HORIZON towards the
WILLKAMAYU RIVER, ending in the VILCABAMBA CORDILLERA, and perfected by the
"PUMASILLU" (the Puma's Claw) MOUNTAIN.
In this way the PLAZA defines the form of the "SQUARE CROSS," a studied symbol that represented
the SOUTHERN CROSS CONSTELLATION.
continue...
Wiracocha, the Foam on the Sea... continue ...3rd part
The UPPER DIMENSION and last phase of THIS WORLD energetic order encompasses ALL THAT IS PERFECT through the HEIGHTS OF WIRACOCHA and corresponds to THE DIMENSION OF THE GODS, the INFINITE UNIVERSE and PATH OF THE SUN.
This WORLD is identified as "HANAN PACHA." Here in THE ANDES the APUS represent the LORDS OF "HANAN PACHA, " and at their altitudes DWELL GREAT SPIRITS, the TUTELAR
GUARDIANS for the TERRESTRIAL WORLD and all its inhabitants.
The "HANAN PACHA" is REPRESENTED by the KONDOR. This KONDOR is the personification of THE CELESTIAL LORD capable of PROSECUTING, TRANSMUTING, ELEVATING anything it finds in the mortal plane.
This "HANAN PACHA" world is THE HOUSE of the SACRED and THE KONDOR is WIRACOCHA' s representative.
MACHU PICCHU was DESIGNED IN THE SPIRITUAL DIMENSION, with the PURPOSE OF
ELEVATING every one of ITS INHABITANTS TO THE MOST SUBTLE PLANES OF PERCEPTION.
After the SACRED PUMA LEADS US TO THE REIGNS OF INNER CONTROL, the KONDOR
WILL APPEAR TO RECEIVE OUR SOULS AND TRANSFORM US INTO BEINGS OF AWAKENED CONSCIOUSNESS AND UNCONDITIONAL LOVE.
EACH YEAR in the "SACRED PLAZA" during the WINTER SOLSTICE, the BEGINNING OF THE NEW SOLAR YEAR IS CELEBRATED, and ACCOMPANYING this CELEBRATION,
MANIFESTATIONS of ASTRONOMICAL PHENOMENA serve as TESTIMONIES THAT
THIS WAS REAL IN ANCIENT TIMES.
This WORLD is identified as "HANAN PACHA." Here in THE ANDES the APUS represent the LORDS OF "HANAN PACHA, " and at their altitudes DWELL GREAT SPIRITS, the TUTELAR
GUARDIANS for the TERRESTRIAL WORLD and all its inhabitants.
The "HANAN PACHA" is REPRESENTED by the KONDOR. This KONDOR is the personification of THE CELESTIAL LORD capable of PROSECUTING, TRANSMUTING, ELEVATING anything it finds in the mortal plane.
This "HANAN PACHA" world is THE HOUSE of the SACRED and THE KONDOR is WIRACOCHA' s representative.
MACHU PICCHU was DESIGNED IN THE SPIRITUAL DIMENSION, with the PURPOSE OF
ELEVATING every one of ITS INHABITANTS TO THE MOST SUBTLE PLANES OF PERCEPTION.
After the SACRED PUMA LEADS US TO THE REIGNS OF INNER CONTROL, the KONDOR
WILL APPEAR TO RECEIVE OUR SOULS AND TRANSFORM US INTO BEINGS OF AWAKENED CONSCIOUSNESS AND UNCONDITIONAL LOVE.
EACH YEAR in the "SACRED PLAZA" during the WINTER SOLSTICE, the BEGINNING OF THE NEW SOLAR YEAR IS CELEBRATED, and ACCOMPANYING this CELEBRATION,
MANIFESTATIONS of ASTRONOMICAL PHENOMENA serve as TESTIMONIES THAT
THIS WAS REAL IN ANCIENT TIMES.
Wiracocha, "The Foam on the Sea" continue... part 2
Now we advance to the SECOND PLANE or DIMENSION, identifying THE MIDDLE WORLD,
the PRESENT WORLD, the WORLD OF THE LIVING where terrestrials reign.
Its name : "KAY PACHA," where MAN WILL LEARN THE TOIL OF LIFE, where he will fall into mental darkness and then be elevated until transforming into the level of light. This is the cycle of life.
According to the Inkas, "KAY PACHA"sl is GOVERNED BY the "PUMA" (SACRED TITI) and, IT IS HIS TEACHINGS and EXPERIENCES that will LIFT US FROM the SERPEN' S limitations.
Once the SERPENT is elevated, the PUMA will appear IN PACHAMAMA' s path and with its
STABILITY WILL POSITION itself INSIDE OUR SOULS to take us TO THE PLACE WHERE THE FOUR WINDS REIGN, and from the HIGHEST PEAKS, waiting in that place for our moment of elevation, WILL BE someone to offer WINGS OF FREEDOM.
Because the PUMA (Sacred TITI) is the FELINE IN POWER (AMERICAN LION), the PUMA is taking the possession of its reign, and possesses a dynamic that makes it the FELINE that TRAVEL the MOST DURING THE COURSE OF A DAY.
The INKAS had to IMITATE the PUMA in order to WIN THEIR TERRITORY and CONTROL
their own BORDERS.
The PUMA' s qualities have been studied for a long time and the PUMA is FOUND IN extremely
varied HABITATS, from DEEP VALLEYS to snow capped MOUNTAINS over 4500 meters above sea-level. Such varied climates and geographic conditions coincide with the PUMA' s life style and
anatomical structure, giving it an advantage over others of its kind.
The PUMA represents sagacity, ubiquity, expanded consciousness, control, strength, kindness,intuition,
etc., all qualities learned and practiced by the INKAS, enabling them orderly and respectfully to expand
their empire.
the PRESENT WORLD, the WORLD OF THE LIVING where terrestrials reign.
Its name : "KAY PACHA," where MAN WILL LEARN THE TOIL OF LIFE, where he will fall into mental darkness and then be elevated until transforming into the level of light. This is the cycle of life.
According to the Inkas, "KAY PACHA"sl is GOVERNED BY the "PUMA" (SACRED TITI) and, IT IS HIS TEACHINGS and EXPERIENCES that will LIFT US FROM the SERPEN' S limitations.
Once the SERPENT is elevated, the PUMA will appear IN PACHAMAMA' s path and with its
STABILITY WILL POSITION itself INSIDE OUR SOULS to take us TO THE PLACE WHERE THE FOUR WINDS REIGN, and from the HIGHEST PEAKS, waiting in that place for our moment of elevation, WILL BE someone to offer WINGS OF FREEDOM.
Because the PUMA (Sacred TITI) is the FELINE IN POWER (AMERICAN LION), the PUMA is taking the possession of its reign, and possesses a dynamic that makes it the FELINE that TRAVEL the MOST DURING THE COURSE OF A DAY.
The INKAS had to IMITATE the PUMA in order to WIN THEIR TERRITORY and CONTROL
their own BORDERS.
The PUMA' s qualities have been studied for a long time and the PUMA is FOUND IN extremely
varied HABITATS, from DEEP VALLEYS to snow capped MOUNTAINS over 4500 meters above sea-level. Such varied climates and geographic conditions coincide with the PUMA' s life style and
anatomical structure, giving it an advantage over others of its kind.
The PUMA represents sagacity, ubiquity, expanded consciousness, control, strength, kindness,intuition,
etc., all qualities learned and practiced by the INKAS, enabling them orderly and respectfully to expand
their empire.
Saturday, May 4, 2013
WIRACOCHA, "The Foam on the Sea"
The CENTRAL religious CONCEPT of the INKAS was that of THE CREATOR.
His best known name was that of WIRACOCHA meaning : "FOAM or FAT ON THE SEA."
His POWER to CREATE the EARTH in the spiritual realm was considered A PRIESTLY POWER,
symbolized by FAT ON WATER, BOILING IN A POT. Since FAT floats over the WATER, the same concept applied to the EARTH, that FLOATS ITSELF ON THE UNLIMITED WATERS SURROUNDING IT.
WIRACOCHA was the FIRST TO RISE, after the recurring floods, OUT OF THE WATER and TO
CREATE the WORLD, the SUN, MOON and STARS, the PLANTS and ANIMALS, and MANKIND, for this reason he was called PACHAYACHACHIC.
WIRACOCHA was the REAL INVISIBLE SUN, male and female, but HE ALSO LIVED ON the
SLOPES OF THE PYRAMID, making a tableaux of his POSITION IN THE COSMOS, and WAS
the DIRTY, LOW BASE (TICSI) OF THE WORLD and as such WAS PACHACAMAC (LORD
OF THE EARTH) originating the earthquakes in the interior of the earth.
WIRACOCHA was THE ONE INDIVISIBLE CREATIVE POWER OF WHICH ALL THE OTHER DEITIES WERE ONLY ASPECTS, represented as his sons and descendants.
These THREE EXISTENTIAL PLANES DEFINED THE WORLD, which they called "PACHAS."
Each "PACHA" representing its own dimension and capable of communicating with the "PACHA"
next to it.
Each one of these three existential planes had their own symbols.
The WORLD OF OUR SUBCONSCIOUS, the world of our DREAMS or VISIONARY REALITY.
Its name was "UCKU PACHA" and also that of PACHAMAMA, the ONE WHO TAKES OUR
DESTINIES, submerging us within her soul. Only SHE can REVEAL TO US the MYSTERIES of
OUR ORIGIN because SHE IS OUR MOTHER. She has been understood externally as THE WORLD OF THE DEAD, even punishment; but death as the end of existence was considered only a
hallucination, since the "BEING" was considered ETERNAL, molding itself to the garments loaned in each earthly experience. The SERPENT or "AMARU" is the REPRESENTATION OF THIS DIMENSIONAL PLANE. The "serpent" or "amaru" represented an animal capable of ascending in
a sacred order to divine realms. Similar to the touching of all the vital energetic centers of our body as a
microcosm, or centers of magnetic radiation that exist along our vertebral column, the same as the energetic or magnetic centers in the spiritual column in the macrocosm. This energy was believed to
move and displaced itself along the portals of the spiritual realm. The priestly ones were trained to elevate this energetic or magnetic centers to the highest level in order to present the offerings to the Creator and receive the blessings of Peace and Harmony that came from above. continue...
His best known name was that of WIRACOCHA meaning : "FOAM or FAT ON THE SEA."
His POWER to CREATE the EARTH in the spiritual realm was considered A PRIESTLY POWER,
symbolized by FAT ON WATER, BOILING IN A POT. Since FAT floats over the WATER, the same concept applied to the EARTH, that FLOATS ITSELF ON THE UNLIMITED WATERS SURROUNDING IT.
WIRACOCHA was the FIRST TO RISE, after the recurring floods, OUT OF THE WATER and TO
CREATE the WORLD, the SUN, MOON and STARS, the PLANTS and ANIMALS, and MANKIND, for this reason he was called PACHAYACHACHIC.
WIRACOCHA was the REAL INVISIBLE SUN, male and female, but HE ALSO LIVED ON the
SLOPES OF THE PYRAMID, making a tableaux of his POSITION IN THE COSMOS, and WAS
the DIRTY, LOW BASE (TICSI) OF THE WORLD and as such WAS PACHACAMAC (LORD
OF THE EARTH) originating the earthquakes in the interior of the earth.
WIRACOCHA was THE ONE INDIVISIBLE CREATIVE POWER OF WHICH ALL THE OTHER DEITIES WERE ONLY ASPECTS, represented as his sons and descendants.
These THREE EXISTENTIAL PLANES DEFINED THE WORLD, which they called "PACHAS."
Each "PACHA" representing its own dimension and capable of communicating with the "PACHA"
next to it.
Each one of these three existential planes had their own symbols.
The WORLD OF OUR SUBCONSCIOUS, the world of our DREAMS or VISIONARY REALITY.
Its name was "UCKU PACHA" and also that of PACHAMAMA, the ONE WHO TAKES OUR
DESTINIES, submerging us within her soul. Only SHE can REVEAL TO US the MYSTERIES of
OUR ORIGIN because SHE IS OUR MOTHER. She has been understood externally as THE WORLD OF THE DEAD, even punishment; but death as the end of existence was considered only a
hallucination, since the "BEING" was considered ETERNAL, molding itself to the garments loaned in each earthly experience. The SERPENT or "AMARU" is the REPRESENTATION OF THIS DIMENSIONAL PLANE. The "serpent" or "amaru" represented an animal capable of ascending in
a sacred order to divine realms. Similar to the touching of all the vital energetic centers of our body as a
microcosm, or centers of magnetic radiation that exist along our vertebral column, the same as the energetic or magnetic centers in the spiritual column in the macrocosm. This energy was believed to
move and displaced itself along the portals of the spiritual realm. The priestly ones were trained to elevate this energetic or magnetic centers to the highest level in order to present the offerings to the Creator and receive the blessings of Peace and Harmony that came from above. continue...
DID THE INKAS PERFORM HUMAN SACRIFICES?
The ANDEAN CULTURE has left us evidence of ITS GREATNESS, having constructed TO BENEFIT the very ESSENCE OF LIFE without wasting what NATURE has sown for us. It was a civilized society with accomplishments that are in AGREEMENT WITH NATURE.
The subject of HUMAN SACRIFICES as a practice to please the gods denotes the LACK OF UNDERSTANDING of the basic meaning of SPIRITUALITY, LACK OF RESPECT for NATURE, the PHILOSOPHICAL LIMITATION of the culture, and their BACKWARDNESS and CONTRADICTION BEFORE MATERIAL and MENTAL REALITY.
"SACRED SERVICE" means "TO SERVE" or "TO PERFORM LABOR" as in cultivating the ground. In a spiritual context, when we serve to cultivate the ground means we do the best that we can to plant the seeds of goodness in everything we do. As a reward, PEACE and HAPPINESS come to us. But when the misunderstanding of the term "TO SERVE" goes to the hand of the evil forces, then,
everything change, and it is used with reference to "service rendered to a deity", implying false worshiping, rendering service to created things instead of THE CREATOR.
To serve and protect the NATURE we are complementing the work of our Creator in spirit, on account of our special COVENANT relationship to HIM. As the wife complement the husband all the days of their lives.
If the act of sacrificing an individual assumed that peace of a community will follow, that crops would
flourish and hunger would end, that rains would be sufficient to fertilize the earth, that an earthquake would not cause destruction, that a volcano would not erupt, MAY THE GODS HAVE PITY OF THESE MORTALS!
There is no logical purpose or scientific evidence that the ANDEAN SOCIETY perpetuated human
sacrifices as a method of beseeching god to receive his protection. In fact, great scientific evidence attests to the contrary. One must commit a sin of ingenuousness to believe that killing someone could influence THE ECOLOGICAL RHYTHM OF THE CLIMATE OR THE NATURAL ORDER OF
NATURE.
The subject of HUMAN SACRIFICES as a practice to please the gods denotes the LACK OF UNDERSTANDING of the basic meaning of SPIRITUALITY, LACK OF RESPECT for NATURE, the PHILOSOPHICAL LIMITATION of the culture, and their BACKWARDNESS and CONTRADICTION BEFORE MATERIAL and MENTAL REALITY.
"SACRED SERVICE" means "TO SERVE" or "TO PERFORM LABOR" as in cultivating the ground. In a spiritual context, when we serve to cultivate the ground means we do the best that we can to plant the seeds of goodness in everything we do. As a reward, PEACE and HAPPINESS come to us. But when the misunderstanding of the term "TO SERVE" goes to the hand of the evil forces, then,
everything change, and it is used with reference to "service rendered to a deity", implying false worshiping, rendering service to created things instead of THE CREATOR.
To serve and protect the NATURE we are complementing the work of our Creator in spirit, on account of our special COVENANT relationship to HIM. As the wife complement the husband all the days of their lives.
If the act of sacrificing an individual assumed that peace of a community will follow, that crops would
flourish and hunger would end, that rains would be sufficient to fertilize the earth, that an earthquake would not cause destruction, that a volcano would not erupt, MAY THE GODS HAVE PITY OF THESE MORTALS!
There is no logical purpose or scientific evidence that the ANDEAN SOCIETY perpetuated human
sacrifices as a method of beseeching god to receive his protection. In fact, great scientific evidence attests to the contrary. One must commit a sin of ingenuousness to believe that killing someone could influence THE ECOLOGICAL RHYTHM OF THE CLIMATE OR THE NATURAL ORDER OF
NATURE.
Friday, May 3, 2013
THE CEREMONIAL AND OFFERING TABLE OF THE INKAS
MACHU PICCHU, the spiritual CENTER capable of filling the SPIRITS of all who humbly surrender
to the magnificent and perfect work of CREATION. This virtue of respect is evident from the very moment we arrive at this CITY. Arriving at the SACRED CITY along the INKA TRAIL allows us to enter through its upper section where various TERRACES are found, and ABOVE them a STRUCTURE similar to A HOUSE; since it HAS ONLY THREE WALLS it received the name
"HUAYRANA," and because of its location it served, among other functions, as an observation site,
point of control, and place of meeting and rest.
NEXT to this construction EXISTS a CEREMONIAL TABLE known as a PLACE OF PERSONAL
and COMMUNITY OFFERINGS. This STRUCTURE 's CEREMONIAL ROCK also HAS ASTRONOMICAL FUNCTIONS. To decode it we need to be closely tied to ANDEAN ABSTRACT SYMBOLISM and ART. Pursuing exact calculations of the LIGHT' s PORTAL and the SHADOW in search of concrete conclusions is like reading a book in the dark under the instantaneous
illumination of a match. Without the help or contrast of other perspectives and intuitive ingredients, the
interpretation of all of these places would be merely an imaginary metaphor.
In 1974, many excavations were realized in the area around THE CEREMONIAL ROCK or TABLE;
the results coincided with the fact that neither THE ROCK nor its immediate surroundings served as a cemetery, but rather a DEFINITE PLACE OF OFFERINGS.
Up to this point, all is well, but complexities arise when academic science treats as a reliable reference the inexact information assembled by spanish chronicles who documented A HISTORY OF A CIVILIZATION they never understood and perhaps never will understand - THE ANDEAN SOCIETY -
to the magnificent and perfect work of CREATION. This virtue of respect is evident from the very moment we arrive at this CITY. Arriving at the SACRED CITY along the INKA TRAIL allows us to enter through its upper section where various TERRACES are found, and ABOVE them a STRUCTURE similar to A HOUSE; since it HAS ONLY THREE WALLS it received the name
"HUAYRANA," and because of its location it served, among other functions, as an observation site,
point of control, and place of meeting and rest.
NEXT to this construction EXISTS a CEREMONIAL TABLE known as a PLACE OF PERSONAL
and COMMUNITY OFFERINGS. This STRUCTURE 's CEREMONIAL ROCK also HAS ASTRONOMICAL FUNCTIONS. To decode it we need to be closely tied to ANDEAN ABSTRACT SYMBOLISM and ART. Pursuing exact calculations of the LIGHT' s PORTAL and the SHADOW in search of concrete conclusions is like reading a book in the dark under the instantaneous
illumination of a match. Without the help or contrast of other perspectives and intuitive ingredients, the
interpretation of all of these places would be merely an imaginary metaphor.
In 1974, many excavations were realized in the area around THE CEREMONIAL ROCK or TABLE;
the results coincided with the fact that neither THE ROCK nor its immediate surroundings served as a cemetery, but rather a DEFINITE PLACE OF OFFERINGS.
Up to this point, all is well, but complexities arise when academic science treats as a reliable reference the inexact information assembled by spanish chronicles who documented A HISTORY OF A CIVILIZATION they never understood and perhaps never will understand - THE ANDEAN SOCIETY -
THE TWILIGHT OF THE GODS
Nearly all the myths tell of the ENDING OF THE RULE OF THE GODS. Between the gods were not always fair and it was their treachery in BETRAYING THEIR WORD that eventually brought about their downfall. This is how it came about.
The beautiful LAND (in the sense of the SPIRITUAL plane) in which all the GOOD SPIRITS lived was PROTECTED BY A SERIES OF IMPREGNABLE WALLS (energy forces) which had been BUILT BY A GIANT (an earthly force) who demanded AS PAYMENT the MARRIAGE between him and the DAUGHTER OF AN IMPORTANT CELESTIAL FORCE.
The GODS PROMISED the GIANT that he would MARRY HER when the WALLS were finished.
They DIDN'T KEEP THEIR WORD.
The SPIRIT OF SRIFE began to BREAK OUT ALL OVER THE WORLD and IN ALL the LOWER REGIONS, the SPIRIT OF TREACHERY and MALICE TOOK OVER.
The SPIRIT OF HAPPINESS AND PEACE WAS BETRAYED BY THE SPIRIT OF MALICE, and wherever he went, HE BEGAN TO BE TROUBLED by STRANGE DREAMS.
He ASKED FOR HELP and the GODS AGREED TO PROTECT HIM. The gods made every SPIRIT IN EARTH PROMISE never to betray or harm the spirit of HAPPINESS and PEACE. All agreed - the animals, plants and men - except one young SPIRIT belonging to plants' kingdom which was too young to take an oath. Only the spirit of MALICE knew it.
One day, when the gods were rejoicing themselves TESTING THE INVINCIBILITY of the SPIRIT OF HAPPINESS, the spirit of MALICE COLLECTED A BRANCH OF the plant who didn't take the oath and PERSUADED a blinded god to THROW THE BRANCH OVER THE SPIRIT OF HAPPINESS and PEACE. This BRANCH PIERCED the spirit of HAPPINESS and PEACE TO THE HEART and KILLED HIM.
This ENRAGED THE GODS and, KNOWING IT WAS MALICE that had caused this thing to happen, THEY CHAINED IT UP. continue...
The beautiful LAND (in the sense of the SPIRITUAL plane) in which all the GOOD SPIRITS lived was PROTECTED BY A SERIES OF IMPREGNABLE WALLS (energy forces) which had been BUILT BY A GIANT (an earthly force) who demanded AS PAYMENT the MARRIAGE between him and the DAUGHTER OF AN IMPORTANT CELESTIAL FORCE.
The GODS PROMISED the GIANT that he would MARRY HER when the WALLS were finished.
They DIDN'T KEEP THEIR WORD.
The SPIRIT OF SRIFE began to BREAK OUT ALL OVER THE WORLD and IN ALL the LOWER REGIONS, the SPIRIT OF TREACHERY and MALICE TOOK OVER.
The SPIRIT OF HAPPINESS AND PEACE WAS BETRAYED BY THE SPIRIT OF MALICE, and wherever he went, HE BEGAN TO BE TROUBLED by STRANGE DREAMS.
He ASKED FOR HELP and the GODS AGREED TO PROTECT HIM. The gods made every SPIRIT IN EARTH PROMISE never to betray or harm the spirit of HAPPINESS and PEACE. All agreed - the animals, plants and men - except one young SPIRIT belonging to plants' kingdom which was too young to take an oath. Only the spirit of MALICE knew it.
One day, when the gods were rejoicing themselves TESTING THE INVINCIBILITY of the SPIRIT OF HAPPINESS, the spirit of MALICE COLLECTED A BRANCH OF the plant who didn't take the oath and PERSUADED a blinded god to THROW THE BRANCH OVER THE SPIRIT OF HAPPINESS and PEACE. This BRANCH PIERCED the spirit of HAPPINESS and PEACE TO THE HEART and KILLED HIM.
This ENRAGED THE GODS and, KNOWING IT WAS MALICE that had caused this thing to happen, THEY CHAINED IT UP. continue...
Thursday, May 2, 2013
INKAS DIDN'T LEAVE ANY SCRIPT.
The INKAS and the other Peruvian people did not leave us ANY CODICES - historical, astronomical
or religious - or any dated monuments. Nor did they have ANY SCRIPT of a hiero-graphical kind, which could have been deciphered.
This situation hangs together with the fact that the Peruvians, whose political development was so advanced, were very conscious of the DEEPER ABSTRACT IDEAS underlying their social and
political organization, its religious justification and its functioning through time, but WERE LESS
WORRIED ABOUT OF AN ARTICULATED ICONOGRAPHIC LANGUAGE SYSTEM.
The INKAS of ancient Peru KEPT RECORDS MATHEMATICALLY on QUIPUS. They were devises made of cords whose LENGTH, THICKNESS, COLOUR, and KNOTS denoted different values. Knots of natural - colored cord represented numbers : single knots for tens, double for hundreds, and triple for thousands.
QUIPUS were also used to TRANSMIT MESSAGES, WHICH WERE CODED INTO NUMBERS.
As imperial organizers, these WARRIOR PEOPLE took over a series of ancient cultures and reshaped
the roads, religion, and government they inherited.
The INKA excelled at engineering. The mathematical structure of their minds made them built roads
3, 250 miles (5, 200 kilometers) long, piped irrigation water through mountain tunnels, hung suspension bridges across Andean canyons.
The INKA also created a rigid caste system. From one end of the Andes to the other, the empire ran
FACTORIES for making all the cloths, ceramics and gold ornaments required for ceremonial use and for the nobility. The Inka also exacted tribute from everybody they conquered, keeping track of their
accounts by the QUIPU.
In this Peruvian society everyone knew his place.
or religious - or any dated monuments. Nor did they have ANY SCRIPT of a hiero-graphical kind, which could have been deciphered.
This situation hangs together with the fact that the Peruvians, whose political development was so advanced, were very conscious of the DEEPER ABSTRACT IDEAS underlying their social and
political organization, its religious justification and its functioning through time, but WERE LESS
WORRIED ABOUT OF AN ARTICULATED ICONOGRAPHIC LANGUAGE SYSTEM.
The INKAS of ancient Peru KEPT RECORDS MATHEMATICALLY on QUIPUS. They were devises made of cords whose LENGTH, THICKNESS, COLOUR, and KNOTS denoted different values. Knots of natural - colored cord represented numbers : single knots for tens, double for hundreds, and triple for thousands.
QUIPUS were also used to TRANSMIT MESSAGES, WHICH WERE CODED INTO NUMBERS.
As imperial organizers, these WARRIOR PEOPLE took over a series of ancient cultures and reshaped
the roads, religion, and government they inherited.
The INKA excelled at engineering. The mathematical structure of their minds made them built roads
3, 250 miles (5, 200 kilometers) long, piped irrigation water through mountain tunnels, hung suspension bridges across Andean canyons.
The INKA also created a rigid caste system. From one end of the Andes to the other, the empire ran
FACTORIES for making all the cloths, ceramics and gold ornaments required for ceremonial use and for the nobility. The Inka also exacted tribute from everybody they conquered, keeping track of their
accounts by the QUIPU.
In this Peruvian society everyone knew his place.
Wednesday, May 1, 2013
TIAHUANAKU, ONE OF THE TOP TEN MYSTERIES ON EARTH
TIAHUANAKU may have existed during the vastly older time of the last ICE , some 15, 000 to
20, 000 years ago. They probably were a surviving fragment of a long lost Kingdom. They explored
and precisely mapped the then ICE-FREE CONTINENT of ANTARCTICA thousands of years before Europeans first sighted it in 1818.
There is also evidence that architectural structures exist at the bottom of LAKE TITICACA, suggest-
ing that the kingdom existed before the LAKE was formed. The LAKE was formed during a great
FLOOD.
Some theory says that an enormous chunk of ROCK was spun off from the planet JUPITER and that it rampaged as a COMET through THE INNER SOLAR SYSTEM, nearly colliding with the EARTH and causing CATASTROPHES spoken about in numerous ancient mythologies.
The USE OF THE STRUCTURES OF THE CITADEL AND THE ASTRONOMICAL ALIGMENTS that they have with CELESTIAL BODIES indicate a construction period far more ancient than any other monumental archaeological site in all the world. This fact in a pre-flood time proved that a cataclysmic did indeed occur some 12, 000 years ago. The utensils, tools, fragments of human skeletons that are mixed in with the deepest layers of the FLOOD alluvia indicate the human use of the citadel prior to the great FLOOD. The sculptural and iconographic details are unique and mysterious making the region one of the top ten mysterious places on EARTH.
TIAHUANAKU was the TRUE SACRED CENTER OF THE ANDEAN REGION. An earlier name of the structures was TAIPICALA, meaning "THE ROCK IN THE CENTER."
TIAHUANAKU was the SOURCE OF THE CREATION MYTHS, THE SOCIAL ORDER, and
the extraordinary DEVELOPMENT OF ASTRONOMY. The legendary hero / savior WIRACOCHA
RE-SEEDED THE CIVILIZATION into the ANDEAN REGIONS following the cataclysm.
According to the legend, the world was created by Wiracocha near Lake Titicaca. After the great deluge or the receding of chaotic floodwaters Wiracocha descended to earth and created plants, animals'
and men to the empty land; he built the CITY OF TIAHUANAKU and appointed 4 rulers of whom
MANCO CAPAC became the superior of the MIDDLE WORLD.
20, 000 years ago. They probably were a surviving fragment of a long lost Kingdom. They explored
and precisely mapped the then ICE-FREE CONTINENT of ANTARCTICA thousands of years before Europeans first sighted it in 1818.
There is also evidence that architectural structures exist at the bottom of LAKE TITICACA, suggest-
ing that the kingdom existed before the LAKE was formed. The LAKE was formed during a great
FLOOD.
Some theory says that an enormous chunk of ROCK was spun off from the planet JUPITER and that it rampaged as a COMET through THE INNER SOLAR SYSTEM, nearly colliding with the EARTH and causing CATASTROPHES spoken about in numerous ancient mythologies.
The USE OF THE STRUCTURES OF THE CITADEL AND THE ASTRONOMICAL ALIGMENTS that they have with CELESTIAL BODIES indicate a construction period far more ancient than any other monumental archaeological site in all the world. This fact in a pre-flood time proved that a cataclysmic did indeed occur some 12, 000 years ago. The utensils, tools, fragments of human skeletons that are mixed in with the deepest layers of the FLOOD alluvia indicate the human use of the citadel prior to the great FLOOD. The sculptural and iconographic details are unique and mysterious making the region one of the top ten mysterious places on EARTH.
TIAHUANAKU was the TRUE SACRED CENTER OF THE ANDEAN REGION. An earlier name of the structures was TAIPICALA, meaning "THE ROCK IN THE CENTER."
TIAHUANAKU was the SOURCE OF THE CREATION MYTHS, THE SOCIAL ORDER, and
the extraordinary DEVELOPMENT OF ASTRONOMY. The legendary hero / savior WIRACOCHA
RE-SEEDED THE CIVILIZATION into the ANDEAN REGIONS following the cataclysm.
According to the legend, the world was created by Wiracocha near Lake Titicaca. After the great deluge or the receding of chaotic floodwaters Wiracocha descended to earth and created plants, animals'
and men to the empty land; he built the CITY OF TIAHUANAKU and appointed 4 rulers of whom
MANCO CAPAC became the superior of the MIDDLE WORLD.
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